A transformative force in music, dance and the visual arts, the Ballets russes was founded in Paris in 1909 by the visionary impresario Serge Diaghilev. Innovative and flamboyant, he had a genius for bringing together the most brilliant composers, dancers, choreographers and designers, for nurturing creativity, and for galvanising audiences. Emblematic of the influence of the Ballets russes was the 1913 premiere of Stravinsky’s Le Sacre du printemps: it caused a notorious scandal, but it also changed musical history. This 22CD set traces the company’s path through the 20 years of its existence – a tumultuous, but artistically fertile period – and comprises the vast majority of Ballets russes scores that have been recorded. Encompassing epoch-making works and rarities awaiting rediscovery, it offers a number of CD premieres and landmark interpretations by major musicians of the 78, LP and digital eras.
Disc: 1
1 | Le Pavillon d'Armide, Op 29: I Introduction et scene premiere - Henry Shek |
2 | Le Pavillon d'Armide, Op. 29: II. Courante. Danse des heures - Henry Shek |
3 | Le Pavillon d'Armide, Op 29: III Scene d'animation du Gobelin - Henry Shek |
4 | Le Pavillon d'Armide, Op 29: IV La Plainte d'Armide - Henry Shek |
5 | Le Pavillon d'Armide, Op 29: V Scene Grand pas d'action - Henry Shek |
6 | Le Pavillon d'Armide, Op. 29: VI. Grande valse noble - Henry Shek |
7 | Le Pavillon d'Armide, Op. 29: VII. Variation - Allegro - Moderato tranquillo - Vivace - Grave - Henry Shek |
8 | Le Pavillon d'Armide, Op 29: VIII Danse des gamins (de petits esclaves Éthiopiens) - Henry Shek |
9 | Le Pavillon d'Armide, Op. 29: IX. Danse des confidentes - Henry Shek |
10 | Le Pavillon d'Armide, Op. 29: X. Bacchus et les bacchantes - Henry Shek |
11 | Le Pavillon d'Armide, Op 29: XI Entree des magiciens et danse des ombres - Henry Shek |
12 | Le Pavillon d'Armide, Op. 29: XII. Danse des bouffons - Henry Shek |
13 | Le Pavillon d'Armide, Op 29: XIII Pas d'echarpe - Henry Shek |
14 | Le Pavillon d'Armide, Op. 29: XIV. Pas de deux - Henry Shek |
15 | Le Pavillon d'Armide, Op. 29: XV. Grande valse finale - Henry Shek |
1 | Prince Igor: Dance of the Polovtisan Maidens & Polovtsian Dance (Instrumental Version) [Orch. Rimsky-Korsakov and Glazunov] - Seiji Ozawa |
2 | Scheherazade, Op. 35: I. The Sea and Sinbad's Ship - Seiji Ozawa |
3 | Scheherazade, Op. 35: II. The Kalendar Prince - Seiji Ozawa |
4 | Scheherazade, Op. 35: III. The Young Prince and the Young Princess - Seiji Ozawa |
5 | Scheherazade, Op. 35: IV. The Festival at Baghdad - The Sea - The Ship Goes to Pieces on a Rock Surmounted by a Bronze Warrior - Seiji Ozawa |
1 | Giselle: Introduction (Arr Busser) - Robert Irving |
2 | Giselle, Act 1: No 2, Entree du Comte Albrecht (Arr Busser) - Robert Irving |
3 | Giselle, Act 1: No 3, Entree de Giselle - Scene avec Hilarion (Arr Busser) - Robert Irving |
4 | Giselle, Act 1: No 4a, Retour de la vendange (Arr Busser) - Robert Irving |
5 | Giselle, Act 1: No 4b, Valse (Arr Busser) - Robert Irving |
6 | Giselle, Act 1: No 5, Pas de deux (Arr Busser) - Robert Irving |
7 | Giselle, Act 1: No 7a, Marche des vignerons (Arr Busser) - Robert Irving |
8 | Giselle, Act 1: No 7b, Variation de Giselle (Arr Busser) - Robert Irving |
9 | Giselle, Act 1: No 8a, Grand galop (Arr Busser) - Robert Irving |
10 | Giselle, Act 1: No 8b, Scene finale Scene de folie (Arr Busser) - Robert Irving |
11 | Giselle, Act 2: No 9, Minuit sonne - Effroi des chasseurs (Arr Busser) - Robert Irving |
12 | Giselle, Act 2: No 10a, Apparition et scene de Myrtha (Arr Busser) - Robert Irving |
13 | Giselle, Act 2: No 10b, Apparition des Wilis (Arr Busser) - Robert Irving |
14 | Giselle, Act 2: No 10c, Danse des Wilis (Arr Busser) - Robert Irving |
15 | Giselle, Act 2: No 11a, Apparition et danse de Giselle (Arr Busser) - Robert Irving |
16 | Giselle, Act 2: No 11b, Entree d'Albrecht et de Wilfried (Arr Busser) - Robert Irving |
17 | Giselle, Act 2: No 14, Scene des Wilis (Arr Busser) - Robert Irving |
18 | Giselle, Act 2: No 15, Grand pas de deux Giselle et Albrecht (Arr Busser) - Robert Irving |
19 | Giselle, Act 2: No 16, Finale (Arr Busser) - Robert Irving |
1 | Carnaval, Op 9: No 1, Preambule (Orch Glazunov) - Robert Irving |
2 | Carnaval, Op. 9: No. 2, Pierrot (Orch. Glazunov) - Robert Irving |
3 | Carnaval, Op. 9: No. 3, Arlequin (Orch. Klenovsky) - Robert Irving |
4 | Carnaval, Op. 9: No. 4, Valse noble (Orch. Petrov) - Robert Irving |
5 | Carnaval, Op. 9: No. 5, Eusebius (Orch. Glazunov) - Robert Irving |
6 | Carnaval, Op. 9: No. 6, Florestan (Orch. Rimsky-Korsakov) - Robert Irving |
7 | Carnaval, Op. 9: No. 7, Coquette (Orch. Kalafati) - Robert Irving |
8 | Carnaval, Op 9: No 8, Replique (Orch Kalafati) - Robert Irving |
9 | Carnaval, Op. 9: No. 9, Papillons (Orch. Tcherepnin) - Robert Irving |
10 | Carnaval, Op. 9: No. 10, A.S.C.H. - S.C.H.A. "Lettres dansantes" (Orch. Lyadov) - Robert Irving |
11 | Carnaval, Op. 9: No. 11, Chiarina (Orch. Kalafati) - Robert Irving |
12 | Carnaval, Op. 9: No. 12, Chopin (Orch. Glazunov) - Robert Irving |
13 | Carnaval, Op. 9: No. 13, Estrella (Orch. Winkler) - Robert Irving |
14 | Carnaval, Op. 9: No. 14, Reconnaissance (Orch. Wihtol) - Robert Irving |
15 | arnaval, Op. 9: No. 15, Pantalon et Colombine (Orch. Arensky) - Robert Irving |
16 | Carnaval, Op. 9: No. 16, Valse allemande (Orch. Lyadov) - Robert Irving |
17 | Carnaval, Op. 9: No. 17, Paganini (Orch. Lyadov) - Robert Irving |
18 | Carnaval, Op. 9: No. 18, Aveu (Orch. Sokolov) - Robert Irving |
19 | Carnaval, Op. 9: No. 19, Promenade (Orch. Klenovsky) - Robert Irving |
20 | Carnaval, Op. 9: No. 20, Pause (Orch. Glazunov & Kalafati) - Robert Irving |
21 | Carnaval, Op 9: No 21, Marche des "Davidsbundler" contre les Philistins (Orch Glazunov & Kalafati) - Robert Irving |
22 | The Firebird: Introduction - Seiji Ozawa |
23 | The Firebird, Tableau 1: Kashchei's Enchanted Garden - Seiji Ozawa |
24 | The Firebird, Tableau 1: Appearance of the Firebird Pursued by Ivan Tsarevich - Seiji Ozawa |
25 | The Firebird, Tableau 1: Dance of the Firebird - Seiji Ozawa |
26 | The Firebird, Tableau 1: Ivan Tsarevich Captures the Firebird - Seiji Ozawa |
27 | The Firebird, Tableau 1: Supplication of the Firebird - Seiji Ozawa |
28 | The Firebird, Tableau 1: Appearance of 13 Enchanted Princesses - Seiji Ozawa |
29 | The Firebird, Tableau 1: The Princesses' Game with the Golden Apples - Seiji Ozawa |
30 | The Firebird, Tableau 1: Sudden Appearance of the Ivan Tsarevich - Seiji Ozawa |
31 | The Firebird, Tableau 1: The Princesses' Khorovod - Seiji Ozawa |
32 | The Firebird, Tableau 1: Daybreak - Seiji Ozawa |
33 | The Firebird, Tableau 1: Ivan Tsarevich Enters Kashchei's Palace - Seiji Ozawa |
34 | The Firebird, Tableau 1: Magic Carillon - Appearance of Kashchei's Guardian Monsters - Capture of Ivan Tsarevich - Seiji Ozawa |
35 | The Firebird, Tableau 1: Arrival of Kashchei the Immortal - Seiji Ozawa |
36 | The Firebird, Tableau 1: His Dialogue with Ivan Tsarevich - Seiji Ozawa |
37 | The Firebird, Tableau 1: The Intercession of the Princesses - Seiji Ozawa |
38 | The Firebird, Tableau 1: Appearance of the Firebird - Seiji Ozawa |
39 | The Firebird, Tableau 1: Dance of Kashchei's Retinue Under the Firebird's Spell - Seiji Ozawa |
40 | The Firebird, Tableau 1: Infernal Dance of All Kashchei's Subjects - Seiji Ozawa |
41 | The Firebird, Tableau 1: Lullaby - Seiji Ozawa |
42 | The Firebird, Tableau 1: Kashchei Awakes - Seiji Ozawa |
43 | The Firebird, Tableau 1: Death of Kashchei - Seiji Ozawa |
44 | The Firebird, Tableau 2: Disappearance of the Palace and Dissolution of Kashchei's Enchantments, Animation of the Petrified Warriors, General Thanksgiving - Seiji Ozawa |
1 | Narcisse et Écho, Op 40: I Un paysage pantheiste - Gennady Rozhdestvensky |
2 | Narcisse et Écho, Op 40: II Un sylvain se reveille, il joue de la flute - Gennady Rozhdestvensky |
3 | Narcisse et Écho, Op 40: III Entree des jeunes Beotiens et Beotiennes - Gennady Rozhdestvensky |
4 | Narcisse et Écho, Op 40: IV Danse de la bacchante - Gennady Rozhdestvensky |
5 | Narcisse et Écho, Op 40: V Chants lointains - Gennady Rozhdestvensky |
6 | Narcisse et Écho, Op 40: VI Danse de Narcisse - Gennady Rozhdestvensky |
7 | Narcisse et Écho, Op 40: VII Écho est abandonnee - Gennady Rozhdestvensky |
8 | Narcisse et Écho, Op 40: VIII Entre Narcisse, epuise par la fatigue - Gennady Rozhdestvensky |
9 | Narcisse et Écho, Op 40: IX Arrivee d'Écho - Gennady Rozhdestvensky |
10 | Narcisse et Écho, Op 40: X Narcisse se transforme en une fleur - Gennady Rozhdestvensky |
11 | L'Invitation a la valse, H 90 (Orch Berlioz) - Andre Cluytens |
1 | Swan Lake, Op. 20: Introduction (Moderato assai) - Andre Previn |
2 | Swan Lake, Op. 20, Act 1: No. 1 Scene (Allegro giusto) - Andre Previn |
3 | Swan Lake, Op. 20, Act 1: No. 2, Waltz - Andre Previn |
4 | Swan Lake, Op. 20, Act 1: No. 3 Scene (Allegro moderato) - Andre Previn |
5 | Swan Lake, Op. 20, Act 1: No. 4 Pas de trois - I. Intrada (Allegro) - Andre Previn |
6 | Swan Lake, Op. 20, Act 1: No. 4 Pas de trois - II. Andante sostenuto - Andre Previn |
7 | Swan Lake, Op. 20, Act 1: No. 4 Pas de trois - III. Allegro semplice - Presto - Andre Previn |
8 | Swan Lake, Op. 20, Act 1: No. 4 Pas de trois - IV. Moderato - Andre Previn |
9 | Swan Lake, Op. 20, Act 1: No. 4 Pas de trois - V. Allegro - Andre Previn |
10 | Swan Lake, Op. 20, Act 1: No. 4 Pas de trois - VI. Coda (Allegro vivace) - Andre Previn |
11 | Swan Lake, Op. 20, Act 1: No. 5 Pas de deux - I. Tempo di valse - Andre Previn |
12 | Swan Lake, Op 20, Act 1: No 5 Pas de deux - II Andante - Allegro - Molto piu mosso - Andre Previn |
13 | Swan Lake, Op. 20, Act 1: No. 5 Pas de deux - III. Tempo di valse - Andre Previn |
14 | Swan Lake, Op. 20, Act 1: No. 5 Pas de deux - IV. Coda (Allegro molto vivace) - Andre Previn |
15 | Swan Lake, Op. 20, Act 1: No. 6 Pas d'action (Andantino quasi moderato - Allegro) - Andre Previn |
16 | Swan Lake, Op. 20, Act 1: No. 7 Sujet - Andre Previn |
17 | Swan Lake, Op. 20, Act 1: No. 8 Danse with Goblets (Tempo di polacca) - Andre Previn |
18 | Swan Lake, Op. 20, Act 1: No. 9 Finale (Andante) - Andre Previn |
19 | Swan Lake, Op. 20, Act 2: No. 10, Scene - Andre Previn |
20 | Swan Lake, Op. 20, Act 2: No. 11 Scene (Allegro moderato - Allegro vivo) - Andre Previn |
21 | Swan Lake, Op. 20, Act 2: No. 12 Scene (Allegro) - Andre Previn |
22 | Swan Lake, Op. 20, Act 2: No. 13 Dances of the Swans - I. Tempo di valse - Andre Previn |
23 | Swan Lake, Op 20, Act 2: No 13 Dances of the Swans - II Moderato assai - Molto piu mosso - Andre Previn |
24 | Swan Lake, Op. 20, Act 2: No. 13 Dances of the Swans - III. Tempo di valse - Andre Previn |
25 | Swan Lake, Op. 20, Act 2: No. 13d Dances of the Swans. Dance of the Little Swans - Andre Previn |
26 | Swan Lake, Op. 20, Act 2: No. 13e Dances of the Swans. Andante - Andre Previn |
27 | Swan Lake, Op. 20, Act 2: No. 13 Dances of the Swans - VI. Tempo di valse - Andre Previn |
28 | Swan Lake, Op. 20, Act 2: No. 13 Dances of the Swans - VII. Coda (Allegro vivace) - Andre Previn |
29 | Swan Lake, Op. 20, Act 2: No. 14 Scene (Moderato) - Andre Previn |
1 | Swan Lake, Op. 20, Act 3: No. 15 Scene (Allegro giusto) - Andre Previn |
2 | Swan Lake, Op. 20, Act 3: No. 16 Dance of the Guests and the Dwarfs (Moderato assai - Allegro vivo) - Andre Previn |
3 | Swan Lake, Op. 20, Act 3: No. 17 Entrance and Waltz of the Special Guests (Allegro - Tempo di valse) - Andre Previn |
4 | Swan Lake, Op. 20, Act 3: No. 18 Scene (Allegro - Allegro giusto) - Andre Previn |
5 | Swan Lake, Op. 20, Act 3: No. 19 Pas de six - Intrada - Andre Previn |
6 | Swan Lake, Op. 20, Act 3: No. 19 Pas de six - Variation I (Allegro) - Andre Previn |
7 | Swan Lake, Op. 20, Act 3: No. 19 Pas de six - Variation II (Andante con moto) - Andre Previn |
8 | Swan Lake, Op. 20, Act 3: No. 19 Pas de six - Variation III (Moderato) - Andre Previn |
9 | Swan Lake, Op. 20, Act 3: No. 19 Pas de six - Variation IV (Allegro) - Andre Previn |
10 | Swan Lake, Op. 20, Act 3: No. 19 Pas de six - Variation V (Moderato - Allegro semplice) - Andre Previn |
11 | Swan Lake, Op. 20, Act 3: No. 19 - Pas de six - Coda (Allegro molto) - Andre Previn |
12 | Swan Lake, Op. 20, Act 3: Appendix 1 - Pas de deux - Introduction (Moderato - Andante) - Andre Previn |
13 | Swan Lake, Op. 20, Act 3: Appendix 1 - Pas de deux - Variation I (Allegro moderato) - Andre Previn |
14 | Swan Lake, Op. 20, Act 3: Appendix 1 - Pas de deux - Variation II (Allegro) - Andre Previn |
15 | Swan Lake, Op. 20, Act 3: Appendix 1 - Pas de deux - Coda (Allegro molto vivace) - Andre Previn |
16 | Swan Lake, Op. 20, Act 3: No. 20, Hungarian Dance - Andre Previn |
17 | Swan Lake, Op. 20, Act 3, Appendix II: No. 20a, Russian Dance - Andre Previn |
18 | Swan Lake, Op. 20, Act 3: No. 21 Spanish Dance (Allegro non troppo - Tempo di Bolero) - Andre Previn |
19 | Swan Lake, Op. 20, Act 3: No. 22 Neapolitan Dance (Allegro moderato - Andantino quasi moderato) - Andre Previn |
20 | Swan Lake, Op. 20, Act 3: No. 23, Mazurka - Andre Previn |
21 | Swan Lake, Op. 20, Act 3: No. 24 Scene (Allegro - Valse - Allegro vivo) - Andre Previn |
22 | Swan Lake, Op. 20, Act 4: No. 25 Entr'acte (Moderato) - Andre Previn |
23 | Swan Lake, Op. 20, Act 4: No. 26 Scene (Allegro non troppo) - Andre Previn |
24 | Swan Lake, Op. 20, Act 4: No. 27, Dance of the Little Swans - Andre Previn |
25 | Swan Lake, Op. 20, Act 4: No. 28 Scene (Allegro agitato - Allegro vivace) - Andre Previn |
26 | Swan Lake, Op. 20, Act 4: No. 29, Finale - Andre Previn |
1 | Petrushka, Pt. 1 "The Shrovetide Fair": Introduction - At the Shrovetide Fair (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
2 | Petrushka, Pt. 1 "The Shrovetide Fair": The Charlatan's Booth - Russian Dance (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
3 | Petrushka, Pt. 2 "Petrushka's Cell": Petrushka's Cell (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
4 | Petrushka, Pt. 3 "The Moor's Room": Introduction - The Moor's Room - Dance of the Ballerina (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
5 | Petrushka, Pt. 3 "The Moor's Room": Waltz - The Ballerina and the Moor (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
6 | Petrushka, Pt. 4 "The Shrovetide Fair": Introduction - The Shrovetide Fair, Near Evening (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
7 | Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Wet Nurses (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
8 | Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Peasant and the Bear (1947 Version) - Sir Simon Rattle |
9 | Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Gypsy Girls (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
10 | Petrushka, Pt. 4 "The Shrovetide Fair": Dance of the Coachmen and Grooms (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
11 | Petrushka, Pt. 4 "The Shrovetide Fair": The Masqueraders (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
12 | Petrushka, Pt. 4 "The Shrovetide Fair": Petrushka Dashes from the Little Theatre, Pursued by the Moor (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
13 | Petrushka, Pt. 4 "The Shrovetide Fair": Petrushka Dies, Still Moaning (1947 Version) - Sir Simon Rattle |
14 | Petrushka, Pt. 4 "The Shrovetide Fair": The Magician Arrives and Picks up Petrushka's Corpse - The Ghost of Petrushka Appears (1947 Version) - City of Birmingham Symphony Orchestra/Peter Donohoe/Sir Simon Rattle |
15 | La Peri: Fanfare - Jean Martinon |
16 | La Peri: Poeme danse - Jean Martinon |
17 | Prelude a l'apres-midi d'un faune, CD 87, L 86 - Sir Simon Rattle |
1 | Tamara - Lovro von Matacic |
2 | Daphnis et Chloe, M 57, Pt 1: Introduction - Andre Cluytens |
3 | Daphnis et Chloe, M 57, Pt 1: Danse religieuse - Andre Cluytens |
4 | Daphnis et Chloe, M 57, Pt 1: Scene 1 - Andre Cluytens |
5 | Daphnis et Chloe, M 57, Pt 1: Danse generale - Andre Cluytens |
6 | Daphnis et Chloe, M 57, Pt 1: Scene 2 - Andre Cluytens |
7 | Daphnis et Chloe, M 57, Pt 1: Danse grotesque de Dorcon - Andre Cluytens |
8 | Daphnis et Chloe, M 57, Pt 1: Danse legere et gracieuse de Daphnis - Andre Cluytens |
9 | Daphnis et Chloe, M 57, Pt 1: Scene - Danse de Lyceion - Arrivee des pirates - Andre Cluytens |
10 | Daphnis et Chloe, M 57, Pt 1: Scene (Nocturne) - Andre Cluytens |
11 | Daphnis et Chloe, M 57, Pt 1: Danse lente et mysterieuse - Andre Cluytens |
12 | Daphnis et Chloe, M 57, Pt 2: Interlude - Andre Cluytens |
13 | Daphnis et Chloe, M 57, Pt 2: Introduction - Andre Cluytens |
14 | Daphnis et Chloe, M 57, Pt 2: Danse guerriere et scene - Andre Cluytens |
15 | Daphnis et Chloe, M 57, Pt 2: Danse suppliante de Chloe - Andre Cluytens |
16 | Daphnis et Chloe, M 57, Pt 3: Introduction - Andre Cluytens |
17 | Daphnis et Chloe, M 57, Pt 3: Lever du jour - Andre Cluytens |
18 | Daphnis et Chloe, M 57, Pt 3: Pantomime - Andre Cluytens |
19 | Daphnis et Chloe, M 57, Pt 3: Danse generale - Andre Cluytens |
1 | Jeux, L. 133a - Andre Cluytens |
2 | Le Sacre du printemps, Pt. 1 "L'Adoration de la Terre": Introduction - Igor Markevitch |
3 | Le Sacre du printemps, Pt. 1 "L'Adoration de la Terre": Les Augures printaniers. Danses des adolescentes - Igor Markevitch |
4 | Le Sacre du printemps, Pt. 1 "L'Adoration de la Terre": Jeu du rapt - Igor Markevitch |
5 | Le Sacre du printemps, Pt 1 "L'Adoration de la Terre": Rondes printanieres - Igor Markevitch |
6 | Le Sacre du printemps, Pt 1 "L'Adoration de la Terre": Jeux des cites rivales - Igor Markevitch |
7 | Le Sacre du printemps, Pt 1 "L'Adoration de la Terre": Cortege du sage - Igor Markevitch |
8 | Le Sacre du printemps, Pt. 1 "L'Adoration de la Terre": Adoration de la Terre. Le Sage - Igor Markevitch |
9 | Le Sacre du printemps, Pt. 1 "L'Adoration de la Terre": Danse de la Terre - Igor Markevitch |
10 | Le Sacre du printemps, Pt. 2 "Le Sacrifice": Introduction - Igor Markevitch |
11 | Le Sacre du printemps, Pt 2 "Le Sacrifice": Cercles mysterieux des adolescentes - Igor Markevitch |
12 | Le Sacre du printemps, Pt 2 "Le Sacrifice": Glorification de l'elue - Igor Markevitch |
13 | Le Sacre du printemps, Pt 2 "Le Sacrifice": Évocation des ancetres - Igor Markevitch |
14 | Le Sacre du printemps, Pt 2 "Le Sacrifice": Action rituelle des ancetres - Igor Markevitch |
15 | Le Sacre du printemps, Pt 2 "Le Sacrifice": Danse sacrale L'Élue - Igor Markevitch |
16 | La tragedie de Salome, Op 50: I Prelude - Jean Martinon |
17 | La tragedie de Salome, Op 50: II Danse des perles - Jean Martinon |
18 | La tragedie de Salome, Op 50: III Les enchantements sur la mer - Jean Martinon |
19 | La tragedie de Salome, Op 50: IV Danse des eclairs - Jean Martinon |
20 | La tragedie de Salome, Op 50: V Danse de l'effroi - Jean Martinon |
1 | Symphonic Fragment from Josephs-Legende, Op. 63: a) Allegro moderato - Rudolf Kempe |
2 | Symphonic Fragment from Josephs-Legende, Op. 63: b) Moderato - Ziemlich lebhaft - Rudolf Kempe |
3 | Symphonic Fragment from Josephs-Legende, Op. 63: c) Viel ruhiger, leicht schwebend - Rudolf Kempe |
4 | Symphonic Fragment from Josephs-Legende, Op. 63: d) Ziemlich ruhig - Rudolf Kempe |
5 | Symphonic Fragment from Josephs-Legende, Op. 63: e) Viel ruhiger, stets alla breve - Rudolf Kempe |
6 | Le Rossignol, Act I: Introduction - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
7 | Le Rossignol, Act I: "Porte au vent, tombant au loin" (Le Pecheur) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
8 | Le Rossignol, Act I: "Ah ! Ah ! Ah !" (Le Rossignol, Le Pecheur) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
9 | Le Rossignol, Act I: "Voici l'endroit, pres de ces arbres" (La Cuisiniere, Courtisans, Le Chambellan, Le Bonze, Le Rossignol) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
10 | Le Rossignol, Act I: "Beau rossignol, incomparable oiseau" (Le Chambellan, Le Bonze, Le Rossignol, Courtisans, Le Pecheur) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
11 | Le Rossignol, Act II: "Des feux, des feux , bien vite" (Choeur, La Cuisiniere, Le Chambellan) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
12 | Le Rossignol, Act II: Marche chinoise - "Ô maitre magnanime" (Le Chambellan) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
13 | Le Rossignol, Act II: Chanson du rossignol. "Ah, joie, emplis mon coeur" (Le Rossignol, L'Empereur, Courtisans, Le Chambellan) - James Conlon |
14 | Le Rossignol, Act II: "Ah coucher du soleil" (Les Envoyes japonais) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
15 | Le Rossignol, Act II: Jeu du rossignol mecanique - "Psst, psst" (Courtisans, L'Empereur, Le Chambellan, La voix du Pecheur) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
16 | Le Rossignol, Act III: Introduction - "Vois-nous rassembles" (Spectres, L'Empereur) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
17 | Le Rossignol, Act III: "Ah, me voici, o prince magnanime" (Le Rossignol, L'Empereur) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
18 | Le Rossignol, Act III: "Ah, j'aime a t'ecouter" (La Mort, Le Rossignol, L'Empereur) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
19 | Le Rossignol, Act III: Cortege solennel - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
20 | Le Rossignol, Act III: "Bonjour a tous" (L'Empereur, La Voix du Pecheur) - James Conlon/Natalie Dessay/Marie McLaughlin/Orchestre de l'Opera National de Paris |
1 | Till Eulenspiegels lustige Streiche, Op. 28 - Lorin Maazel |
2 | Pavane, Op. 50 - Armin Jordan |
3 | Suite from The Good-Humoured Ladies: I. Presto - Igor Markevitch |
4 | Suite from The Good-Humoured Ladies: II. Allegro - Igor Markevitch |
5 | Suite from The Good-Humoured Ladies: III. Andante - Igor Markevitch |
6 | Suite from The Good-Humoured Ladies: IV. Non presto, in tempo di ballo - Igor Markevitch |
7 | Suite from The Good-Humoured Ladies: V. Presto "Cat's Fugue" - Finale - Igor Markevitch |
8 | Feu d'artifice, Op. 4 - Eliahu Inbal |
9 | Kikimora, Op. 63 - Dmitrij Kitajenko |
10 | Baba-Yaga, Op. 56 - Dmitrij Kitajenko |
11 | Parade: Choral - Prelude du rideau rouge - Orchestre du Capitole de Toulouse/Michel Plasson |
12 | Parade: Prestidigitateur chinois - Orchestre du Capitole de Toulouse/Michel Plasson |
13 | Parade: Petite fille americaine - Orchestre du Capitole de Toulouse/Michel Plasson |
14 | Parade: Rag-Time du paquebot - Orchestre du Capitole de Toulouse/Michel Plasson |
15 | Parade: Acrobates - Orchestre du Capitole de Toulouse/Michel Plasson |
16 | Parade: Final - Suite au Prelude du rideau rouge - Orchestre du Capitole de Toulouse/Michel Plasson |
1 | La boutique fantasque, P. 120: I. Ouverture - Alceo Galliera |
2 | La boutique fantasque, P. 120: II. Tarentella "La danza" - Alceo Galliera |
3 | La boutique fantasque, P. 120: III. Mazurka - Alceo Galliera |
4 | La boutique fantasque, P. 120: IV. Danse cosaque - Alceo Galliera |
5 | La boutique fantasque, P. 120: V. Can-Can - Alceo Galliera |
6 | La boutique fantasque, P. 120: VI. Valse lente - Alceo Galliera |
7 | La boutique fantasque, P. 120: VII. Nocturne - Alceo Galliera |
8 | La boutique fantasque, P. 120: VIII. Galop - Alceo Galliera |
9 | The Three-Cornered Hat: Introduction - Rafael Fruhbeck de Burgos |
10 | The Three-Cornered Hat, Pt. 1: The Afternoon - Rafael Fruhbeck de Burgos |
11 | The Three-Cornered Hat, Pt. 1: The Dandy and the Procession - Rafael Fruhbeck de Burgos |
12 | The Three-Cornered Hat, Pt. 1: The Girl - Rafael Fruhbeck de Burgos |
13 | The Three-Cornered Hat, Pt. 1: The Corregidor - Rafael Fruhbeck de Burgos |
14 | The Three-Cornered Hat, Pt. 1: Dance of the Miller's Wife - Rafael Fruhbeck de Burgos |
15 | The Three-Cornered Hat, Pt. 1: Minuet - Rafael Fruhbeck de Burgos |
16 | The Three-Cornered Hat, Pt. 1: The Grapes - Rafael Fruhbeck de Burgos |
17 | The Three-Cornered Hat, Pt. 1: Fandango - Rafael Fruhbeck de Burgos |
18 | The Three-Cornered Hat, Pt. 2: Dance of the Neighbours - Rafael Fruhbeck de Burgos |
19 | The Three-Cornered Hat, Pt. 2: The Miller's Dance - Rafael Fruhbeck de Burgos |
20 | The Three-Cornered Hat, Pt. 2: The Arrest - Rafael Fruhbeck de Burgos |
21 | The Three-Cornered Hat, Pt. 2: Nocturno - Rafael Fruhbeck de Burgos |
22 | The Three-Cornered Hat, Pt. 2: Dance of the Corregidor - Rafael Fruhbeck de Burgos |
23 | The Three-Cornered Hat, Pt. 2: The Confrontation - Rafael Fruhbeck de Burgos |
24 | The Three-Cornered Hat, Pt. 2: The Miller's Return - Rafael Fruhbeck de Burgos |
25 | The Three-Cornered Hat, Pt. 2: Final Dance. Jota - Rafael Fruhbeck de Burgos |
1 | Le Chant du rossignol: I. Introduction & II. Marche chinoise - Pierre Boulez |
2 | Le Chant du rossignol: III. Chant du rossignol - Pierre Boulez |
3 | Le Chant du rossignol: IV Jeu du rossignol mecanique - Pierre Boulez |
4 | Pulcinella: I. Ouverture - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
5 | Pulcinella: II Serenata "Mentre l'erbetta" - Scherzino - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
6 | Pulcinella: III Allegretto "Contento forse vivere" - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
7 | Pulcinella: IV Allegro "Con queste paroline" - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
8 | Pulcinella: V Largo Trio "Sento dire no'nce pace" - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
9 | Pulcinella: VI. "Una te fala nzemprece" - Tarantella - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
10 | Pulcinella: VII Andantino "Se tu m'ami" - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
11 | Pulcinella: VIII. Gavotta - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
12 | Pulcinella: IX. Variation I - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
13 | Pulcinella: X. Variation II - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
14 | Pulcinella: XI Tempo di minuetto "Pupilette, fiammette d'amore" - Finale Allegro assai - Sir Neville Marriner/Academy of St Martin-in-the-Fields/Yvonne Kenny/Robert Tear/Robert Lloyd |
1 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 1a, Introduction - Andre Previn |
2 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 1b, Marche de salon - Andre Previn |
3 | The Sleeping Beauty, Op 66, Prologue "The Christening": No 2, Entrance of the Fairies - Scene dansante - Andre Previn |
4 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3a, Pas de six. Introduction - Andre Previn |
5 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3b, Pas de six. Grand adage - Andre Previn |
6 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3c, Pas de six. Variation I "Candide" - Andre Previn |
7 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3d, Pas de six. Variation II "Coulante, the Fairy of Blooming Wheat" - Andre Previn |
8 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3e, Pas de six. Variation III "Breadcrumb" - Andre Previn |
9 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3f, Pas de six. Variation IV "The Singing Canary" - Andre Previn |
10 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3g, Pas de six. Variation V "Violante" - Andre Previn |
11 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3h, Pas de six. Variation VI "The Lilac Fairy" - Andre Previn |
12 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 3i, Pas de six. Coda - Andre Previn |
13 | The Sleeping Beauty, Op. 66, Prologue "The Christening": No. 4, Finale - Andre Previn |
14 | The Sleeping Beauty, Op. 66, Act I "The Spell": No. 5, Introduction. Scene - Andre Previn |
15 | The Sleeping Beauty, Op. 66, Act I "The Spell": No. 6, Waltz - Andre Previn |
16 | The Sleeping Beauty, Op. 66, Act I "The Spell": No. 7, Scene - Andre Previn |
17 | The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8a, Pas d'action. Rose Adagio - Andre Previn |
18 | The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8b, Pas d'action. Dances of the Maids of Honour and Pages - Andre Previn |
19 | The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8c, Pas d'action. Aurora's Variation - Andre Previn |
20 | The Sleeping Beauty, Op. 66, Act I "The Spell": No. 8d, Pas d'action, Coda - Andre Previn |
21 | The Sleeping Beauty, Op. 66, Act I "The Spell": No. 9, Finale - Andre Previn |
1 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 10, Entr'acte and Scene - Andre Previn |
2 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 11, Blind Man's Buff - Andre Previn |
3 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12a, Scene - Andre Previn |
4 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12b, Dance of the Duchesses - Andre Previn |
5 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12c, Dance of the Baronesses - Andre Previn |
6 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12d, Dance of the Countesses - Andre Previn |
7 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 12e, Dance of the Marchionesses - Andre Previn |
8 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 13a, Scene - Andre Previn |
9 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 13b, Dance - Andre Previn |
10 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 14, Scene - Andre Previn |
11 | The Sleeping Beauty, Op 66, Act II "The Vision", Scene 1: No 15a, Pas d'action Scene of Aurora and Desire - Andre Previn |
12 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15b, Pas d'action. Aurora's Variation - Andre Previn |
13 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 15c, Pas d'action. Coda - Andre Previn |
14 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 16, Scene - Andre Previn |
15 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 17, Panorama - Andre Previn |
16 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 18, Entr'acte - Andre Previn |
17 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 19, Scene - Andre Previn |
18 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 20, Finale - Andre Previn |
1 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 21, March - Andre Previn |
2 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 22, Polonaise - Andre Previn |
3 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 23a, Pas de quatre. Allegro non tanto - Andre Previn |
4 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 23b, Pas de quatre. Variation I "The Gold Fairy" - Andre Previn |
5 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 23c, Pas de quatre. Variation II "The Silver Fairy" - Andre Previn |
6 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 23d, Pas de quatre. Variation III "The Sapphire Fairy" - Andre Previn |
7 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 23e, Pas de quatre. Variation IV "The Diamond Fairy" - Andre Previn |
8 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 23f, Pas de quatre. Coda - Andre Previn |
9 | The Sleeping Beauty, Op 66, Act II "The Vision", Scene 2: No 24, Pas de caractere Puss-in-Boots and the White Cat - Andre Previn |
10 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25a, Pas de quatre. Adagio - Andre Previn |
11 | The Sleeping Beauty, Op 66, Act II "The Vision", Scene 2: No 25b, Pas de quatre Variation I "Cinderella and Prince Fortune" - Andre Previn |
12 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25c, Pas de quatre. Variation II "The Blue Bird and Princess Florine" - Andre Previn |
13 | The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 2: No. 25d, Coda - Andre Previn |
14 | The Sleeping Beauty, Op 66, Act III "The Wedding": No 26a, Pas de caractere Little Red Riding-Hood and the Wolf - Andre Previn |
15 | The Sleeping Beauty, Op 66, Act III "The Wedding": No 26b, Pas de caractere Cinderella and Prince Fortune - Andre Previn |
16 | The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 27, Pas berrichon. Tom Thumb, His Brothers, and the Ogre - Andre Previn |
17 | The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28a, Pas de deux. Entrance - Andre Previn |
18 | The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28b, Pas de deux. Adagio - Andre Previn |
19 | The Sleeping Beauty, Op 66, Act III "The Wedding": No 28c, Pas de deux Variation I "Prince Desire" - Andre Previn |
20 | The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28d, Pas de deux. Variation II "Aurora" - Andre Previn |
21 | The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28e, Pas de deux. Coda - Andre Previn |
22 | The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 29, Sarabande - Andre Previn |
23 | The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30a, Finale. Allegro brillante - Tempo di mazurka - Andre Previn |
24 | The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 30b, Apotheosis - Andre Previn |
25 | Suite from Chout, the Tale of the Buffoon, Op. 21bis: I. The Buffoon and His Wife - Claudio Abbado |
26 | Suite from Chout, the Tale of the Buffoon, Op. 21bis: II. Dance of the Wives - Claudio Abbado |
27 | Suite from Chout, the Tale of the Buffoon, Op. 21bis: III. The Buffoons Kill Their Wives - Claudio Abbado |
28 | Suite from Chout, the Tale of the Buffoon, Op. 21bis: IV. Dance of the Buffoons' Daughters - Claudio Abbado |
29 | Suite from Chout, the Tale of the Buffoon, Op. 21bis: V. In the Merchant's Bedroom - Claudio Abbado |
30 | Suite from Chout, the Tale of the Buffoon, Op. 21bis: VI. The Young Wife Becomes a Goat - Claudio Abbado |
31 | Suite from Chout, the Tale of the Buffoon, Op. 21bis: VII. The Burial of the Goat - Claudio Abbado |
32 | Suite from Chout, the Tale of the Buffoon, Op. 21bis: VIII. Quarrel Between the Buffoon and the Merchant - Claudio Abbado |
33 | Suite from Chout, the Tale of the Buffoon, Op. 21bis: IX. Finale Dance - Claudio Abbado |
1 | Renard: Marche Entree des acteurs - Charles Dutoit |
2 | Renard: "Ou ca, ou ca ?" (Le Coq, Le Renard, La Chevre, Le Chat) - Charles Dutoit |
3 | Renard: "Ah, mon Dieu, mon Dieu ! Il me tir' par la queue" (Le Coq, Le Renard, La Chevre, Le Chat) - Charles Dutoit |
4 | Renard: "Je suis sur mon baton" (Le Coq, Le Renard, La Chevre, Le Chat) - Charles Dutoit |
5 | Renard: "Ah, mon Dieu, mon Dieu ! Il m'a pris les ch'veux" (Le Coq, Le Renard, La Chevre, Le Chat) - Charles Dutoit |
6 | Renard: "Mer' Renard, mer' Renard, pourquoi nous quitter deja" (Le Coq, Le Renard, La Chevre, Le Chat) - Charles Dutoit |
7 | Les noces: Tableau I. La tresse - Charles Dutoit |
8 | Les noces: Tableau II Chez le marie - Charles Dutoit |
9 | Les noces: Tableau III Le depart de la mariee - Charles Dutoit |
10 | Les noces: Tableau IV. Le repas de noces - Charles Dutoit |
11 | Les biches, FP 36: I. Ouverture - Georges Pretre/Ambrosian Singers/Philharmonia Orchestra |
12 | Les biches, FP 36: II. Rondeau - Georges Pretre / Ambrosian Singers / Philharmonia Orchestra |
13 | Les biches, FP 36: III Chanson dansee "Qu'est-ce qu'Amour?" - Georges Pretre/Ambrosian Singers/Philharmonia Orchestra |
14 | Les biches, FP 36: IV. Adagietto - Georges Pretre / Ambrosian Singers / Philharmonia Orchestra |
15 | Les biches, FP 36: V Jeu "J'ai quatre filles a marier" - Georges Pretre/Ambrosian Singers/Philharmonia Orchestra |
16 | Les biches, FP 36: VI. Rag-mazurka - Georges Pretre / Ambrosian Singers / Philharmonia Orchestra |
17 | Les biches, FP 36: VII. Andantino - Georges Pretre/Ambrosian Singers/Philharmonia Orchestra |
18 | Les biches, FP 36: VIII Petite chanson dansee "J'ai un joli laurier" - Georges Pretre/Ambrosian Singers/Philharmonia Orchestra |
19 | Les biches, FP 36: IX. Final - Georges Pretre/Ambrosian Singers/Philharmonia Orchestra |
1 | Night on Bald Mountain (Arr. Rimsky-Korsakov) - Oslo Philharmonic Orchestra & Mariss Jansons |
2 | Les facheux: I Ouverture - Igor Markevitch |
3 | Les facheux: II Éraste et la montagne - Igor Markevitch |
4 | Les facheux: III Entree et danse de Lysandre - Igor Markevitch |
5 | Les facheux: IV Entree et danse des joueuses de volant - Igor Markevitch |
6 | Les facheux: V Entree et danse d'Orphise - Igor Markevitch |
7 | Les facheux: VI Entree et danse des joueurs de boules - Igor Markevitch |
8 | Les facheux: VII Entree du joueur de cartes - Igor Markevitch |
9 | Les facheux: VIII Arrivee d'Orphise - Igor Markevitch |
10 | Les facheux: IX Apparition du tuteur et de son valet - Igor Markevitch |
11 | Les facheux: X Entree de tous les facheux - Final - Igor Markevitch |
12 | Le train bleu: I. Introduction - Igor Markevitch |
13 | Le train bleu: II Choeur des poules et des gigolos - Igor Markevitch |
14 | Le train bleu: III Entree de beau-gosse - Igor Markevitch |
15 | Le train bleu: IV Entree de Perlouse - Igor Markevitch |
16 | Le train bleu: V Rentree de beau-gosse - Igor Markevitch |
17 | Le train bleu: VI Choeur des poules et des gigolos - Igor Markevitch |
18 | Le train bleu: VII Entree du joueur de golf - Igor Markevitch |
19 | Le train bleu: VIII Choeur des poules et des gigolos - Igor Markevitch |
20 | Jack-in-the-Box: No 1, Prelude (Orch Milhaud) - John Lanchbery/Orchestra of the Royal Opera House, Covent Garden |
21 | Jack-in-the-Box: No. 2, Entracte (Orch. Milhaud) - John Lanchbery/Orchestra of the Royal Opera House, Covent Garden |
22 | Jack-in-the-Box: No. 3, Final (Orch. Milhaud) - John Lanchbery/Orchestra of the Royal Opera House, Covent Garden |
1 | La chatte: I. Ouverture - Igor Markevitch |
2 | La chatte: II Jeux des garcons - Igor Markevitch |
3 | La chatte: III Invocation a Aphrodite - Igor Markevitch |
4 | La chatte: IV Metamorphose - Igor Markevitch |
5 | La chatte: V. Danse de la chatte - Igor Markevitch |
6 | La chatte: VI. Adagio - Igor Markevitch |
7 | La chatte: VII Retour des garcons - Igor Markevitch |
8 | La chatte: VIII. Scherzo - Igor Markevitch |
9 | La chatte: IX. Hymne final - Igor Markevitch |
10 | Mercure, Premier tableau: Ouverture - Pierre Dervaux |
11 | Mercure, Premier tableau: La nuit - Pierre Dervaux |
12 | Mercure, Premier tableau: Danse de tendresse - Pierre Dervaux |
13 | Mercure, Premier tableau: Signes du zodiaque - Pierre Dervaux |
14 | Mercure, Premier tableau: Entree et danse de Mercure - Pierre Dervaux |
15 | Mercure, Deuxieme tableau: Danse des graces - Pierre Dervaux |
16 | Mercure: Bain des Graces - Pierre Dervaux |
17 | Mercure, Deuxieme tableau: Fuite de Mercure - Colere de Cerbere - Pierre Dervaux |
18 | Mercure, Troisieme tableau: Polka des lettres - Pierre Dervaux |
19 | Mercure, Troisieme tableau: Nouvelle danse - Pierre Dervaux |
20 | Mercure, Troisieme tableau: Le chaos - Pierre Dervaux |
21 | Mercure, Troisieme tableau: Final - Pierre Dervaux |
22 | Le pas d'acier, Op 41, Tableau I: Entree des personnages - Igor Markevitch |
23 | Le pas d'acier, Op. 41, Tableau I: Train des paysans-ravitailleurs - Igor Markevitch |
24 | Le pas d'acier, Op. 41, Tableau I: Les commissaires - Igor Markevitch |
25 | Le pas d'acier, Op. 41, Tableau I: Les petits camelots - Igor Markevitch |
26 | Le pas d'acier, Op 41, Tableau I: L'orateur - Igor Markevitch |
27 | Le pas d'acier, Op 41, Tableau I: Matelot a bracelets et ouvriere - Igor Markevitch |
28 | Le pas d'acier, Op. 41, Tableau I: Le matelot devient un ouvrier - Igor Markevitch |
29 | Le pas d'acier, Op. 41, Tableau II: L'usine - Igor Markevitch |
30 | Le pas d'acier, Op. 41, Tableau II: Les marteaux - Igor Markevitch |
31 | Le pas d'acier, Op. 41, Tableau II: Finale - Igor Markevitch |
32 | The Gods Go a'Begging: I. Introduction (After Admeto, HWV 22) - Sir Thomas Beecham |
33 | The Gods Go a'Begging: II. First Dance (After Teseo, HWV 9) - Sir Thomas Beecham |
34 | The Gods Go a'Begging: III. Minuet (After Alcina, HWV 34) - Sir Thomas Beecham |
35 | The Gods Go a'Begging: IV. Hornpipe (After Concerto grosso, Op. 6 No. 7, HWV 325) - Sir Thomas Beecham |
36 | The Gods Go a'Begging: V. Musette (After Il pastor fido, HWV 8) - Sir Thomas Beecham |
37 | The Gods Go a'Begging: VI. Second Dance (After Organ Concerto, Op. 4 No. 4, HWV 292) - Sir Thomas Beecham |
38 | The Gods Go a'Begging: VII. Larghetto (After Alcina, HWV 34) - Sir Thomas Beecham |
39 | The Gods Go a'Begging: VIII. Tambourine (After Alcina, HWV 34) - Sir Thomas Beecham |
40 | The Gods Go a'Begging: IX. Gavotte (After Alcina, HWV 34 & Il pastor fido, HWV 8) - Sir Thomas Beecham |
1 | Apollon musagete, Tableau I: Prologue Naissance d'Apollon (1947 Version) - Sir Simon Rattle/Berliner Philharmoniker |
2 | Apollon musagete, Tableau II: Variation d'Apollon Apollon et les Muses (1947 Version) - Berliner Philharmoniker & Simon Rattle |
3 | Apollon musagete, Tableau II: Pas d'action Apollon et les trois Muses (1947 Version) - Berliner Philharmoniker & Simon Rattle |
4 | Apollon musagete, Tableau II: Variation de Calliope L'Alexandrin (1947 Version) - Berliner Philharmoniker & Simon Rattle |
5 | Apollon musagete, Tableau II: Variation de Polymnie (1947 Version) - Berliner Philharmoniker & Simon Rattle |
6 | Apollon musagete, Tableau II: Variation de Terpsichore (1947 Version) - Berliner Philharmoniker & Simon Rattle |
7 | Apollon musagete, Tableau II: Variation d'Apollon (1947 Version) - Berliner Philharmoniker & Simon Rattle |
8 | Apollon musagete, Tableau II: Pas de deux Apollon et Terpsichore (1947 Version) - Berliner Philharmoniker & Simon Rattle |
9 | Apollon musagete, Tableau II: Coda Apollon et les Muses (1947 Version) - Berliner Philharmoniker & Simon Rattle |
10 | Apollon musagete, Tableau II: Apotheose (1947 Version) - Berliner Philharmoniker & Simon Rattle |
11 | Le Fils prodigue, Scene 1: Le depart - Marin Alsop |
12 | Le Fils prodigue, Scene 1: Rencontre avec des camarades - Marin Alsop |
13 | Le Fils prodigue, Scene 1: L'enjoleuse - Marin Alsop |
14 | Le Fils prodigue, Scene 1: Les danseurs - Marin Alsop |
15 | Le Fils prodigue, Scene 2: L'enfant prodigue et l'enjoleuse - Marin Alsop |
16 | Le Fils prodigue, Scene 2: L'ivresse - Marin Alsop |
17 | Le Fils prodigue, Scene 2: Pillage - Marin Alsop |
18 | Le Fils prodigue, Scene 2: Reveil et remords - Marin Alsop |
19 | Le Fils prodigue, Scene 2: Intermede Partage du butin - Marin Alsop |
20 | Le Fils prodigue, Scene 3: Le retour - Marin Alsop |
1 | Boris Godunov, Prologue: Coronation Scene, Part 1 (Orch. Rimsky-Korsakov) - Max Steinmann |
2 | Boris Godunov, Prologue: Coronation Scene, Part 2 (Orch. Rimsky-Korsakov) - Feodor Chaliapin |
3 | Boris Godunov, Act 2: Boris's Monologue (Orch Rimsky-Korsakov) - Feodor Chaliapin |
4 | Boris Godunov, Act 2: Glock Scene (Orch. Rimsky-Korsakov) - Feodor Chaliapin |
5 | Boris Godunov, Act 4: Farewell, Prayer and Death of Boris (Orch. Rimsky-Korsakov) - Feodor Chaliapin |
6 | Le sacre du printemps, Pt. 1 "L'adoration de la terre": Introduction - Pierre Monteux |
7 | Le sacre du printemps, Pt. 1 "L'adoration de la terre": Les Augures printaniers - Danse des adolescentes - Pierre Monteux |
8 | Le sacre du printemps, Pt. 1 "L'adoration de la terre": Jeu du rapt - Pierre Monteux |
9 | Le sacre du printemps, Pt 1 "L'adoration de la terre": Rondes printanieres - Pierre Monteux |
10 | Le sacre du printemps, Pt 1 "L'adoration de la terre": Jeu des cites rivales - Pierre Monteux |
11 | Le sacre du printemps, Pt 1 "L'adoration de la terre": Cortege du Sage - Pierre Monteux |
12 | Le sacre du printemps, Pt. 1 "L'adoration de la terre": Adoration de la Terre. Le Sage - Pierre Monteux |
13 | Le sacre du printemps, Pt. 1 "L'adoration de la terre": Danse de la Terre - Pierre Monteux |
14 | Le sacre du printemps, Pt. 2 "Le sacrifice": Introduction - Pierre Monteux |
15 | Le sacre du printemps, Pt 2 "Le sacrifice": Cercles mysterieux des adolescentes - Pierre Monteux |
16 | Le sacre du printemps, Pt 2 "Le sacrifice": Glorification de l'elue - Pierre Monteux |
17 | Le sacre du printemps, Pt 2 "Le sacrifice": Évocation des ancetres - Pierre Monteux |
18 | Le sacre du printemps, Pt 2 "Le sacrifice": Action rituelle des ancetres - Pierre Monteux |
19 | Le sacre du printemps, Pt 2 "Le sacrifice": Danse sacrale L'elue - Pierre Monteux |
20 | Parade: Choral - Igor Markevitch |
21 | Parade: Prelude du rideau rouge - Igor Markevitch |
22 | Parade: Prestidigitateur chinois - Igor Markevitch |
23 | Parade: Petite fille americaine - Igor Markevitch |
24 | Parade: Acrobates - Igor Markevitch |
25 | Parade: Final - Suite au Prelude du rideau rouge - Igor Markevitch |